片名:《榮耀六十年1938》

類型:劇情片

上映時間:1938

上映地區(qū):英國

導(dǎo)演:Herbert Wilcox

主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

集數(shù): 更新至1集

語言:英語

【同輝影院】分享劇情片榮耀六十年1938全集在線免費觀看高清720P播放地址，榮耀六十年1938講述了一個普通而不平凡的故事，由榮耀六十年1938的演員Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla實力演繹，不管是微表情還是表演動作上，把角色都塑造得非常成功，每個角色都有自己鮮明的個性，讓觀眾們能夠更好地融入到劇情之中。榮耀六十年1938是1938年上映，非常好看的電影。

《榮耀六十年1938》觀后點評：電影榮耀六十年1938真是太好看了！榮耀六十年1938劇情緊湊扣人心弦，每一個轉(zhuǎn)折都讓人捧腹大笑，同時又讓人熱淚盈眶；榮耀六十年1938的音樂選材旋律優(yōu)美，不僅完美地融入到劇情當(dāng)中，還增加了劇情片榮耀六十年1938的劇情氛圍，絕對值得一看。

《榮耀六十年1938》抖音網(wǎng)友點評：榮耀六十年1938的臺詞設(shè)計非常精彩，讓觀眾印象深刻；榮耀六十年1938的演員Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla個個演技精湛，從對劇情的精準(zhǔn)把握到表情和動作的發(fā)揮上，都契合了榮耀六十年1938的故事主題，既滿足了觀眾們對于劇情的期待，又給人留下了思考的空間。是1938年值得一看的電影。

榮耀六十年1938講述了：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor